Erotica author, aka Elspeth Potter, on Writing from the Inside

Wednesday, September 30, 2009

Everyone should read the Temeraire books.

"Patrick O'Brian meets Jane Austen meets Dragons."

Just in case you haven't read Naomi Novik's Temeraire series yet, I'm going to tell you why you should. And the chief reason to do so is not "because you don't have enough books already."

Temeraire is a dragon. With his captain, William Laurence, and a vast number of other dragons, he serves the king of England in fighting Napoleon. The prose and style and tone are very Jane Austen, and there are all sorts of nifty extrapolations of what society would be like in Napoleonic-era Europe if there were dragon airforces. The best part to me, though, is the romance. Well, it isn't really a romance - it's more of a bromance - anyway, the loving relationship between Laurence and Temeraire is golden. Golden, I tell you. His Majesty's Dragon is the first in the series. Excerpt.

One of the things I love best about this series is that it can be read on several different levels. There are the adventure plots, in which the heroes defend their country against invaders, or journey to faraway lands (China in Book 2, Throne of Jade, The Ottoman Empire in Book 3, Black Powder War, and Africa in Book 4, Empire of Ivory.)

The novels explore moral and philosophical issues resulting from a culture of humans who enslaves non-human intelligent beings and uses them for political ends, and what happens when the dragons begin to become aware of this. For instance, "...it was no conscious malice: only the common unthinking assumption by which men treated dragons as inconvenient if elevated livestock, to be managed and herded without consideration for their own sentiments; an assumption so engrained that Laurence had recognized it as outrageous only when forced to do so by the marked contrast with the conditions he had observed in China, where dragons were received as full members of society, (Empire of Ivory)."

Temeraire's point of view is beautifully imagined--vastly intelligent but often naive, and also alien, because a dragon's goals are not a human's goals. Laurence's point of view is perhaps more familiar; he's strongly honorable and emotionally constrained, and doing his best to maneuver a life worlds different than the naval career he'd expected. And did I mention the man/dragon bromance?

This series just keeps getting better and better, each one more complex than the last. You should go read them now. When I finished the most recent one, I closed the book and, involuntarily, caressed the cover. (Our relationship is Pure, though. Pure!)

Original Temeraire Trilogy in a set.
Book 4, Empire of Ivory.
Book 5, Victory of Eagles.


Naomi Novik's website.

Tuesday, September 29, 2009

Finish It. That's All.


Sometimes I think there's only one piece of writing advice. "Finish it." Finish the novel, finish the short story, finish something and then edit it or move on to the next thing and learn something new.

I don't care if it's bad. You can't do anything with a story that's in scattered fragments. And if "finishing" means discarding a piece that's beyond repair, and starting on something new which you are able to finish, that works, too. I did that with two novels in a row.

You can't get anywhere as a professional writer if you never finish anything. Or finish with anything.

Finish something. Just one thing. Worry about the rest later.

Related posts:

The Art of Letting Go: Finishing the Novel.

The Daily Grind.

Zero drafting.

How To Learn To Write.

Pithy Writing Advice.

Monday, September 28, 2009

Maili McVane's Keeper Categories - Exploring Category Romance

Please welcome my guest, sometimes known as Maili and sometimes known as McVane.

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I have a love-and-hate relationship with category romances. I love it because it has great diversity and I hate it because it lacks diversity.

Either way, category romance novels are the spine of the Romance industry. It’s so part of the industry that it doesn’t get the respect it truly deserves. It’s cheap. Readily available. Quick injection of escapism. As well as all other things that can make romance readers take category romances for granted. And above of all, it’s a lottery.

You never really know what you may get when you pick up a category romance. Will it be another tale of cookie-cutter characters, much-peddled-and-tired old story line, and insane fillers that makes you want to bang your head against a wall, wondering why you spent money on something wasteful?

Or will it make you sit quietly after it ended, musing about how much you enjoy being a romance reader? Or how much you appreciate authors who do their best to create memorable stories, though the sheer number of category romances produced makes it so easy for an author to knock up a generic story to fulfil their publisher’s monthly supply rota for some quick cash?

These authors are the reason why I keep reading category romance novels. It’s them that make me endure the craziness of the lottery. And whoo hoo! I was a lottery winner a few times. Here are some of my favourite winnings that left an impact on me, particularly during my formative years as a romance reader.

Midnight Rainbow – Linda Howard

Taken captive in the middle of a conspiracy of international proportions, wealthy socialite Jane Hamilton Greer is rescued by government agent Grant Sullivan, who finds his mission complicated by his feelings for Jane.

When readers think of Linda Howard as a category romance author, they think of Mackenzie’s Mountain, Diamond Bay or Sarah’s Child. For me, it’s Midnight Rainbow because it’s solely responsible for giving birth to my love for adventure romance novels.

I hadn’t heard of Linda Howard when I spotted the eye-catching cover of this book in a library. I cracked it open, thinking it would be a typical “do-you-love-me?” man of war, but instead, it was an awesome ride through a jungle to get away from the baddies. Jane blew my fifteen-year-old mind away with her quick wit, practical attitude, ability to adapt, and refusal to take it lying down. Grant? He – as I discovered later after glomming Linda Howard’s other category romances and single titles – is a typical Linda Howard hero: a tough-bastard Alpha, but at least here, Jane and Grant gave each other as good as they can give. I found this a refreshing change from other category romances where heroines’ lips would quiver as their eyes fill with unshed tears while heroes add another notch to their chins to illustrate the height of their pride.

Readers who enjoy devouring the slow-building romantic tension won’t like this, though. It’s a fast-paced adventure romantic yarn with a couple of steamy scenes. If you enjoy the film Romancing the Stone, you will like Midnight Rainbow. I’ll always love Midnight Rainbow because it had me tracking down similar stories, such as Laura Leone’s Fever Dreams, McReynolds’s River of Eden and Anne Stuart’s The Soldier and the Baby, which led me to read historical romances with similar premises, such as Connie Brockway’s As You Desire.

One More Valentine - Anne Stuart (Harlequin American Romance, no. 473)

I spent ages trying to decide which Anne Stuart title should be chosen for this editorial. She’s written roughly 40 category romances and about 80% of them were enjoyable. I should pick The Soldier and the Baby because it was my first Anne Stuart book, but I choose One More Valentine because it is so different.

James Rafferty, the hero, is a Chicago gangster who was killed in the St. Valentine’s Day Massacre on 14th February in 1938. Every year since that day, Jamey and his gang return to life for forty-eight hours from 13th February until the moment of their death. If they meet women with whom they truly fall in love during the forty-eight hour period, they can step out of the cycle to live and die naturally with the women they love. Jamey hasn’t fallen in love yet, because he hasn’t yet met Helen Emerson, a world-weary associate District Attorney, whose life is in danger.

My other Anne Stuart category romance favourites are Cinderman (mostly for the WTF? factor – the scientist hero somehow manages to make himself invisible), Special Gifts (a psychic heroine + a police detective + a murder = better than it sounds), Falling Angel (the hero is dead, but he has a chance to redeem himself by righting the wrongs he made when he was alive), and The Soldier and the Baby (don’t let the title deceive you into thinking it’s a secret baby book because it isn’t. It’s not anything you may expect. The heroine is a novice nun, for instance. A nun with a tendency to roll eyes at stupidity + a newborn baby + a seasoned former soldier with a tendency to make an arse of himself + a dangerous area somewhere in Central America? Whoo hoo! Yup, it’s an adventure romance.)

Heaven Sent - Jamisan Whitney (Second Chance at Love no. 423, 1987)

It’s a tale of two people who own rival bike messenger companies. Sam Leong is a happy-go-lucky, reckless type. Bree Jeffries is a cautious, level-headed and cool cucumber. Never the twain meets, until they collide with their messenger bicycles.

I seriously doubt this one could stand the test of time as it was written during the 1980s even though I read it during mid-1990s, but it has a special place in my heart because of how it shook my fourteen-year-old world. It was the first time I came across a heroine who was actually Eurasian. And it was the first time I'd read a category romance novel that featured both heroine and hero having a Chinese ancestry. I did come across a Chinese heroine once before, in a Karen Keast book, but the hero was almost always Caucasian, which was why this couple came as a shock.

Embarrassingly, the book cover clearly shows what they look like, but I just wasn’t observant. I was so used to having Caucasian characters in category romance novels that I didn’t bother taking a close look at the cover. All I saw was a mature dude in an old-man suit and a woman in skimpy sporty clothes. I no longer have a copy of this book and I don’t think I want to re-read it as I suspect it’s badly dated, but it’ll always have a soft spot in my heart.

After All These Years – Kathleen Gilles Seidel (Harlequin American Romance, no. 2)

Have you ever had a book that basically stuck its hand into your stomach and after churling it, ripped it out? After All These Years did that to me because I hadn’t come across anything like it. It’s a tale of ordinary people grappling with ordinary issues and the complexity of falling in love. In this case it’s a tale that explores the saying, three’s a crowd. Only in this, one of them is dead.

Although I have since fallen in love with one of her books I found later, Till The Stars Fall, After All These Years richly deserves to be re-issued. It would be nice if Seidel could revise it a bit to update some dated aspects (clothes, for instance), but if she couldn’t, it still needs to be reissued. It’s worth reading for those who love character-driven romances.

Loving Jenny - Theresa Weir (Loveswept, no. 215)

This was my introduction to Theresa Weir’s works including Cool Shade, Amazon Lily, One Fine Day, Some Kind of Magic (my personal favourite), and All Night Long.

I didn’t summarise Loving Jenny because trust me, it’s better to go in without knowing anything other than it’s a quiet romantic tale of a man who attempts to break through an enigmatic woman’s wall of defence and somehow ends up finding a sense of fulfilment through her that he didn’t know he’d been missing.

I can’t quite articulate how I feel about Loving Jenny. It’s a simple story that deals with amazingly complex issues. When I began reading this book, I thought I had found Sandra Canfield’s successor, but Weir took it much further in her own way. Those who enjoy small-town romances or the works of Marilyn Pappano and Sandra Canfield will enjoy this.

Weir has another category I truly enjoyed: Iguana Bay, which is criminally ignored by many romance readers. It’s a tale of intrigue and adventure. If you enjoyed Linda Howard’s Diamond Bay, you will like Iguana Bay.

I’m well out of space, so I’ll abuse Victoria’s generosity a bit more by listing other favourite category romance authors: Marilyn Pappano, Sandra Canfield/Karen Keast, Jo Leigh, Cathy Yardley, Judith Arnold, Jennifer Crusie, Nina Bruths, Kate Hoffman, Cheryl Reavis, Tiffany White, LaVyrle Spencer...the list is endless. There is a huge world of awesome authors and stories in the category romance.

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Thanks so much, McVane! Especially since some of those author names are unfamiliar to me, but not for long. Now I have to go and hunt these up.

And that's it's for my "Exploring Category Romance" Week, or rather a bit-over-a-week. You can view the whole set of posts using the category tag.

Sunday, September 27, 2009

"She's So Unusual" - Exploring Category Romance



Category romances, contrary to many peoples' beliefs, are not at all the same. Sometimes, they push boundaries.

I have not yet read Mallory Rush's Kiss of the Beast, a Harlequin Temptation that features an alien hero (the only alien hero I've heard of in a category), but it looks very interesting, and was recommended to me twice.

In Judith Arnold's Barefoot in the Grass (1996), the heroine is a survivor of breast cancer who has had a mastectomy. It's surprising to me how rare that is in contemporary romance. Arnold is also the author of Sweet Light (1992), whose heroine is Jewish, surprisingly uncommon in category romance, even today.

The ultimate example of stretching boundaries, to me, is Cinderman by Anne Stuart. It was published as a Harlequin American Romance, a line currently described as "lively stories about homes, families and communities like the one you know." Cinderman is like that. Assuming, that is, that your community includes people who get doused in weird slime and subsequently develop amazing super-powers.

It is so awesome. Anne Stuart's books often take risks and bend genre, so this book is only surprising because it was published as a category, in a line that didn't include paranormal elements at all; also, it was published in 1994, long before the current boom in paranormal and urban fantasy novels. So far as I've been able to determine, it was the first "superhero" romance. And I mustn't omit mentioning that as well as being ground-breaking, it's a really funny book. There's a lot of witty dialogue between hero and heroine, and the heroine's t-shirts become a running gag that just gets funnier and funnier.

Here's a detailed review at All About Romance.

What's the most unusual category romance you've ever read?

2009 Year of the Category Reading Challenge at Lurv A La Mode.

Saturday, September 26, 2009

Victoria Janssen's Keeper Categories - Exploring Category Romance

I had a difficult time narrowing down this list--I tend to keep a lot of books--but finally decided to choose books I am most likely to re-read more than once. (Also, I did not include any of Carla Kelly's Regency categories because that would be the whole post. Take it as read that I recommend her. I'll probably do a post focused on her alone one of these days. Or several posts.) A good place to find out-of-print categories is BookMooch, a paperback trading site, or you can run a search on AbeBooks for used copies.

I actually own two different (category) editions of Jennifer Crusie's Anyone But You, and it remains one of my favorite romances ever. It was one of the first I'd ever read in which the heroine is older than the hero, a plot I love, and it remains my favorite Crusie novel, despite her later achievements. I think it's the simple plot that appeals to me, and the realistic characters. The heroine is recently divorced and, like many Crusie heroines, gets herself a dog. Because of the dog, she meets her neighbor in her new apartment building, a young man whom she assumes is a slacker, but in fact in an emergency-room physician whose family (all of them also doctors) look down upon because he doesn't "specialize." The heroine works in publishing, and though there's a bit of a fairytale aspect to her sucess there, I don't mind at all, because the neighbors she meets through that aspect of her life are all so interesting. I love watching the sweet relationship between hero and heroine develop over chatting and watching old movies. The book seems a lot longer than it really is; I've already re-read it four or five times, which for me is unusual, given how many new books clamor for my attention.

A Soldier's Heart by Kathleen Korbel features a nurse heroine who's suffering from Post-Traumatic Stress Disorder after serving in Vietnam. The hero also has PTSD, and that forms one of the connections between them. The edition I linked to is a current reprinting, but it's also still available used in its original edition, Silhouette Intimate Moments 602. The book was reprinted, I believe, because the plot of this story is still relevant in today's world. The best thing about it is that PTSD is not romanticized or made magically easier to live with. It's one of the best categories I've ever read.

Breaking The Rules (Silhouette Intimate Moments 587) is one of the first Ruth Wind books I ever read, and remains one of my top favorites. Notice its number is close to that of the Korbel book above; I think they were on a roll at the time, especially for matching my taste! The plot isn't that different from many more modern romantic suspense novels. The heroine is in hiding from her ex-fiance, who turned out to be a criminal, and at first she's terrified of the hero, who is rough-looking, but soon she sees his compassion and they become friends. Then, of course, the heroine's pursuers appear, and the hero must help keep her safe. It's a very satisfying afternoon's read, particularly since the hero is not the overbearing super-competent type so common in suspense.

The Older Woman by Cheryl Reavis is also about an ex-soldier and a nurse, though the tone is much different from the Korbel book; overall it's lighter, with some humor, even though the hero is recovering from awful injuries. I especially love romances between "ordinary" people getting to know each other through hardship, and this is the best example I could find. It reminds me a little of Carla Kelly's Regency historicals, also category length.

Suzanne Brockmann is well-known now, but I was first introduced to her by a friend, now deceased, who'd gotten into the Navy SEAL categories (Silhouette Intimate Moments) that eventually led to Brockmann's current series. I think of Pat every time I pick one of these up. The first one I read was Get Lucky, which had just come out, and in short order I hunted up all the rest through used book websites. Most of them have now been reprinted at least once, and will likely be reprinted again someday. My favorite of that series is Frisco's Kid, which features a Navy SEAL who's been injured badly enough that he has to find a new career. (Are we sensing a theme here, in what I like?) My second favorite is a tie between Harvard's Education, which has a realistic subplot about women in combat as well as African-American protagonists, and the first in the series, Prince Joe, a story with class conflict and a hint of The Prisoner of Zenda. The whole series rewards re-reading.

Finally, Lost Cause introduced me to Janice Kay Johnson, a prolific author for Harlequin Superromance. This is the second book in my favorite trilogy by her, which follows three siblings who were separated as children and reunited as adults (Lost...but Not Forgotten). The plots involve searching for, finding, and forming new relationships with their missing siblings as well as finding romantic love (not with their siblings!). The hero of this book is the brother, who was the youngest of the siblings when they were separated, had the most unfortunate experiences with his adoptive family, and is not sure he wishes to meet sisters he doesn't remember. There's involving, realistic conflict throughout.

And now for something completely different. Princess In Disguise by Lilian Darcy is another sort of category I love: the kind that includes Cool Things. Usually this means the author either has a specialty (like when Susan Grant writes about airplane pilots) or has done research that teaches me something. In this case, I learned about how one raises sheep in Australia. I cared as much about the fate of the sheep and the sheepdog as I did about the primary romance. And I immediately wanted to read more about sheep-ranching. To me, that's a sign of successful use of research.

I could go on...and on...and on...but I think this post is long enough. Drop me a comment if you'd like more recommendations at a later date.

Belatedly, I discovered the 2009 Year of the Category Reading Challenge at Lurv A La Mode.

Also, a great post on African-American romance, including category lines, by Gwen Pough/Gwyneth Bolton at Romance B(u)y the Book.

Friday, September 25, 2009

SuperWendy's Keepers - Exploring Category Romance

Please welcome my guest, the incredible SuperWendy!

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When Victoria asked me if I’d be interested in doing a guest blog post for her, I immediately said yes, for no other reason than we both adore category romance. Yep, we’re both unabashed, slobbering fangirls for all things Harlequin, and aren’t afraid to declare our love pretty much all over the Internet. So when it came to figuring out a topic for this guest post, I didn’t have to think on it long. Why not highlight some of my favorite category romance novels? The ones I currently have safely tucked away in my keeper stash? Are you ready for the recommendations? Of course you are!

The Man Who Loved Christmas (Harlequin Superromance No. 877) by Kathryn Shay (HSR 877, 12/99) – I know it seems odd now, but at one point books about firefighters were pretty uncommon. Shay helped change that with her America’s Bravest series, which takes place in upstate New York and gasp, features female firefighters! This is book two in the series, and one of my personal favorites. The heroine lost her husband and young daughter around Christmas, so the holiday only holds sad memories. She’s an instructor at the Fire Academy where she preaches caution and safety, immediately butting heads with the hero, a firefighter turned instructor who’s a bit of a maverick and every bit a risk taker.

The Brain & The Beauty (Silhouette Romance, 1605) by Betsy Eliot (SR 1605, 7/02) – Every reader has a “one hit wonder” author and mine is Betsy Eliot. I loved this story for the now defunct Silhouette Romance line and the author hasn’t published a book since. If anyone out there knows Eliot personally, tell her that I hope she’s still writing and if publishers are rejecting her they’re obviously idiots. The heroine in this story is in a bind. She’s a blue collar, single mother who barely graduated high school trying to raise her son, who has an IQ off the charts. The problem is that she can’t find a school willing to work with him. The smarty pants school says he’s too young, and the regular schools say he’s too advanced and they can’t meet his needs. So out of desperation she turns to the reclusive hero, himself a genius, who, until tragedy struck, used to run a school for gifted youngsters.

The Long Way Home (Silhouette Special Edition, 1245) by Cheryl Reavis (SSE 1245, 5/99) – Another book that’s part of a series, but I guarantee you it stands alone well. The heroine is a bit of a villain in one of the previous books (see Little Darlin' (Special Edition , No 1177)) but oh man, what a heroine she is in this story! When her dreams of being a Vegas showgirl go bust, she comes crawling home hoping to reconnect with her young daughter. She also starts visiting her best friend in the hospital, where she quickly runs up against our hero, an Army officer recovering from wounds sustained in the line of duty. He’s ornery as hell, and she’s a straight-shooting, brassy gal. Needless to say, sparks immediately start to fly.

The Temptation of Rory Monahan by Elizabeth Bevarly (SD 1363, 5/01) - Before the Desire line morphed into Harlequin Presents II: The Revenge it was my absolute favorite of all the Harlequin lines. Oh, those were the days! This is part of Bevarly’s series about the Monahan family, and honestly the best book of the bunch (says me). The heroine is a librarian (gee, wonder why Wendy likes this book?) who gets a complaint from someone about the Cosmo-like magazine in the library’s periodicals section. So she takes it home to read, and decides, what the heck? Why not try out some of this sex kitten advice? That’s when the shy, bookish hero starts to take notice. When did the local librarian get so...sexy? Were her lips always that pouty? Her legs always so long? A must read for fans of the Beta hero and any reader curious as to why some of us whine about the transformation of the Silhouette Desire line.

I hope you enjoyed reading about some of my favorite books, and if you’re curious enough to try some of them, I hope you enjoy them as much as I did. Thanks, Victoria, for hosting my ramblings today. It’s always great fun to revisit some of my favorite books.

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Thanks, Wendy! Visit any time!




Thursday, September 24, 2009

Lori Devoti - Exploring Category Romance

Please welcome my guest, author Lori Devoti.

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About Nocturne

As soon as I heard about Harlequin's new dark paranormal line, I knew I wanted to write for it. At the time I was writing (though not published in) paranormal, but it was all light. Writing a Nocturne was quite a departure for me, but almost all of my reading at the time was dark, so I thought "Why not give it a try?"

That try was my June 2007 release, Unbound.

I didn't, by the way, have any inside information on how to write a book Nocturne would buy. I just went to eHarlequin and checked out the writing guidelines. They wanted/want alpha heroes with strong heroines and dark, sexy action-oriented plots. That is what I tried to give them. Apparently it worked.

As a reader, that's what you can expect from Nocturnes--number one a strong male lead, no weak willies here.

Action, action, action. No sipping tea scenes.

A major paranormal element--not just a ghost that might or might not be real living in someone's attic.

Sexy--most of my full length books have three fully completed sex scenes. And a lot of tension on top of that.

A heroine who can hold her own. This doesn't mean she has to be kick ass or a bitch. She just has to be strong in her own ways, or find her strength as the book progresses.

And dark. You might get an occasional smile or even a chuckle from a Nocturne, but there will also be plenty of tension and the feeling that something really bad could happen at any moment. Nocturne heroes and heroines aren't flying kites in the park or shopping for shoes...not unless there are some scary beasts ripping those kites to shreds and those shoes have some steel-toes for smashing through crypt-hiding walls.

So, add that all together and you get a fast-paced sexy read that is affordable, too. $5.25 in the U.S. Oh, and they aren't short. Nocturnes weigh in at 70,000 words computer count. To give you a point of reference other category lines can be 50,000 words and my single title novels have been between 85,000 and 93,000. So, a nice happy medium for a low price. I think of them as a single title book just boiled down a bit, which just makes them all that more action-packed and fun to read.
If you haven't tried them yet, you should!

Lori Devoti, totally unbiased Silhouette Nocturne author.

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Thanks, Lori! By the way, I really enjoyed her new urban fantasy, Amazon Ink.

Stop by tomorrow for Wendy the Super Librarian's Category Keepers.

Wednesday, September 23, 2009

Mira Lyn Kelly - Getting the Call - Exploring Category Romance

Please welcome my guest, Mira Lyn Kelly!

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All about "The Call"

If you're an aspiring author, you'll know what I mean when I say we all have fantasies about "The Call." Some may be vague and general, others elaborate and detailed. Mine were definitely of the latter variety, and usually followed by self-directed mental disclaimers about realistic expectations and directives to spend my creative energy on more productive endeavors…Like actually writing the stories that might result in such success.

I'm Mira Lyn Kelly and on August 28th, 2009 I got "The Call." And it was even better than I'd dreamed it would be. Here's how it happened.

I love reading and my bookshelves are overflowing with romances of every genre and variety. Thrillers, Suspense, Regency, Paranormal, Smokin' Hot, you name it--if it's on my shelf there's a romance worked in. And Category is one of my favorites. For me, they're one-day-reads. Intense love stories packed into concise packages where every page promises spectacular interaction between your hero and heroine, fast ramping conflicts and leave-me-sighing-with-pleasure Happily Ever Afters.

These were the stories I wanted to write. So when Harlequin Presents/Modern Heat announced their Instant Seduction Contest (back in February 2008), I saw it for the don't-miss opportunity it was. Editors for the line were going to be evaluating the entries and 1st place won an editor for a year! Wow. Great way to skip the slush pile, right? Yes!

So I started by making sure I was familiar with the line and read pretty much everything they had available…Such hard work, lol. I know! I also took advantage of all the tips and tools Harlequin provides on their website and through posts in the iheartpresents blog. I picked an idea that fit the line and went to work.

Proofed and polished, in my entry went.

When the contest winners were announced, I was not among them. Disappointing, but I'd learned a lot from the process and wasn't about to give up. I read the winners' entries and what the editors had to say about them, trying to take away as much information as possible. I had a million ideas and was ready to get back on the horse.

And then I got a letter. A request for the full manuscript from my entry! Though I hadn't placed in the contest itself, the editors liked my voice and wanted to see the rest of the story.

When I sent in my manuscript, "the Call" fantasies really kicked into high gear. But when the first call came in, it wasn't to offer a contract. It was actually better than that. It was direction. An editor taking the time to discuss my manuscript, my writing style, what worked and what did not. It was eye opening and informative and an incredible opportunity to improve my work. One I was most definitely interested in taking advantage of. Even though it meant basically rewriting the second half of my book. Ouch.

The revisions were tough, but in the end I was thrilled with the changes. The characters were more believable. The conflict more intense. The story more engaging. I hoped it was enough. I sent it back in and waited. And waited. Checking my email every day to see if my editor (I’d begun to think of her as mine already!) would schedule another call.

Then a few weeks ago, the phone rang out of the blue. There was that lovely English accent coming through the line, saying everything I'd ever hoped to hear. My heart went into overdrive, the tears came. and I made some rather unprofessional and loud squealing noises that hopefully didn't result in any permanent hearing loss for my editor. This was "the Call." A two book deal with the first releasing May 2010 in the UK. Yay!!

What's wonderful about Harlequin is that the opportunities just keep coming. There’s another writing contest going on now, so if Presents/Modern Heat is a line you're interested in, take advantage. Here's the link to the contest for 2009 and good luck!

Thank you so much, Victoria, for including me in your lovely blog. It’s been an exciting ride and I’m thrilled to have the chance to share the details.

Mira Lyn Kelly

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Thanks, Mira! I'm looking forward to reading your book in May!

Stop by tomorrow for a guest post from Silhouette Nocturne author Lori Devoti.

Tuesday, September 22, 2009

Exploring Category Romance - Elle Kennedy

Please welcome my guest, Elle Kennedy.

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Romantic Suspense: Finding a Balance

When I first started submitting to Silhouette, I have to admit, I had no idea what I was doing. I read Intimate Moments (now Silhouette Romantic Suspense), and I thought, I could write these. But after several rejections, I realized that reading romantic suspense is a lot easier than writing it. So before I submitted again, I sat down and decided to really nail down that balance of romance and suspense.

My biggest problem is focusing on one and not the other. I tend to get caught up in the romance and then have chapters and chapters without advancing the suspense aspect, or vice versa. Even after I sold my first SRS, Silent Watch, this problem was still evident. In her edits, my editor would say, “Hey, what’s going on with the serial killer? We haven’t seen or heard from him in 3 chapters.”

It was these edits that made me see writing category romantic suspense requires a different approach than if I were writing a longer, single title. The short length of SRS means I can’t take my time and draw out things slowly. I tried that in my first draft, only to wind up with a rushed ending in order not to go over the word count. In my revisions, I learned to speed up the pace, keep both the romance and suspense in the reader’s mind for every chapter, and make each element have an impact on the other.

In Silent Watch, the threat of the villain causes the heroine to become stronger, which in turn makes her realize that time is short, and she can’t close her heart up to men forever. For the hero, the romance, falling for the heroine, make him more determined to catch the killer, in turn advancing the suspense plot.

After Silent Watch, I thought I nailed the balance…and then I wrote Deadly Reunion, a daily online read at eHarlequin. Again, my first draft was a disaster, and my critique partner came back saying, “What's happening with the villain? I forgot he was even around!” So I had to go back, and find the darn balance again.

Now, as I’m working on my second SRS, I’ve developed a new system. Before I write each chapter, I jot down the romance elements I need to have in there, as well as the suspense factors. In SRS, the romance is usually a bit more prominent, but it can’t take over the entire story either. The danger needs to be an ever present part of the story, an underlying threat that raises the tension and as a result, heightens the romance.

I think I’ve got it this time, though. My new system of planning ahead, and not flying by the seat of my pants, is definitely helping. Let’s just hope I keep it up for the rest of this book!

Elle

Online read link.

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Thanks, Elle!

Monday, September 21, 2009

Laura Barth on Category Slush Piles - Exploring Category Romance

Please welcome my guest, Laura Barth! Laura works with the Harlequin Blaze and Harlequin American Romance lines.

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Many hopeful writers probably wonder about the process that results in either a rejection letter, a revision request, or--for the lucky few--a contract. So I thought I'd try to dispel some of the mystery by explaining the typical path of a category-romance slush manuscript from the time you submit it to the time you hear back.

As an editorial assistant, I'm the front line for all slush manuscripts and queries that come to Harlequin Blaze and Harlequin American Romance. I have to make the initial decision about whether to pass something on to the editors for their consideration or send a rejection letter. We receive many submissions, so we must be very selective.

However, before the submission reaches the point where it's being rejected or passed on to an editor, it almost always has to do time in the slush pile. The reason for this is simply that we have so few opportunities to deal with slush. New submissions usually get put at the bottom of the pile, so that we're responding to the oldest submissions first. By the time we're able to really look at it, a manuscript may have been in the slush pile for several months. Slush doesn't have deadlines, unlike everything else in an editor's life, and when you're waiting until you have some free time to look at the slush… Well, you can see where that leads.

Despite our busy schedules, we're always on the lookout for promising writers who have either come to us with an excellent manuscript or a manuscript that isn't quite there, but has a lot of potential. We often encourage such authors to revise their work or send us other projects. While we may already have a solid stable of authors, as editors, we can't resist mentoring new and promising writers.

When an editor has a manuscript she thinks should be considered for publication, the usual process is to write a memo to the senior editor, outlining why the manuscript should be selected and suggesting any changes that might strengthen the work. The senior editor then reads the manuscript and makes the final decision.

Probably the most memorable day for a new editor is the first time she gets to phone a slush author and offer to buy her book. This is what makes the time we spend reading less-than-stellar submissions worthwhile. When I contracted my first new author, I had the pleasure of giving the good news to someone I'd been working with closely for over a year. We were both so excited we could barely have a normal conversation. In my four years working at Harlequin, that was the best day by far.

So, to all those whose work is languishing in the slush pile, I say keep your chin up. Just because you haven't heard anything yet doesn't mean your manuscript isn't sitting at the top of an editor's To Read pile, waiting to wow her.

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Thanks, Laura!

Tune in tomorrow for a post from author Elle Kennedy.

Sunday, September 20, 2009

Exploring Category Romance - A Category Romance Is Like a Sonnet

Category romances, also called series romances, are to me the epitome of romance as a genre. They're short - mostly about 200 pages or 50,000 - 60,000 words long. The term category comes from the various lines such as Harlequin Presents or Silhouette Desire, each of which has specific requirements that may be related to style of plot, subgenre, or level of sexual content. These lines are formed or cancelled as the market for certain types of books grows and changes. An important difference between categories and single title romances is that categories are marketed and distributed more like magazines than like books. Their distribution is thus large, but they are often only shelved in bookstores for a single month.

Out of print categories are often easy to find in used bookstores or online at book swap sites such as BookMooch. I also like that the books are physically not very large or heavy, and thus easy to carry with me while I run errands that involve standing in line.

There is not a lot of room in 55,000 words to tell the complete story of a relationship; the writer must pare everything down to essentials of characterization. In lines such as Silhouette Romantic Suspense, there is also a mystery/suspense plot to consider. Fitting in all of these elements and at the same time emotionally involving the reader is no easy task. I liken it to writing a sonnet, in which idea and form are inextricably linked. And the best categories pack just as much of an emotional punch.

Who are your favorite category authors? Mine are Carla Kelly, who writes Regency-set historicals, and Ruth Wind/Barbara Samuel, who writes contemporaries, usually with suspense elements. More of my favorites are Judith Arnold, Christine Merrill, Julie Cohen, Janice Kay Johnson, Kathleen Korbel, Cheryl Reavis, and Lilian Darcy.


Miranda's Revenge by Ruth Wind.
The Surgeon's Lady by Carla Kelly.
Birthright: Welcome to Riverbend by Judith Arnold.
A Wicked Liaison (Harlequin Historical Series) by Christine Merrill.
His For The Taking by Julie Cohen.
Someone Like Her by Janice Kay Johnson.
A Soldier's Heart by Kathleen Korbel.
The Older Woman by Cheryl Reavis.
A Mother In The Making by Lilian Darcy.