Siegfried Sassoon, "Haunted"

Haunted

Evening was in the wood, louring with storm.
A time of drought had sucked the weedy pool
And baked the channels; birds had done with song.
Thirst was a dream of fountains in the moon,
Or willow-music blown across the water
Leisurely sliding on by weir and mill.

Uneasy was the man who wandered, brooding,
His face a little whiter than the dusk.
A drone of sultry wings flicker’d in his head.
The end of sunset burning thro’ the boughs
Died in a smear of red; exhausted hours
Cumber’d, and ugly sorrows hemmed him in.

He thought: ‘Somewhere there’s thunder,’ as he strove
To shake off dread; he dared not look behind him,
But stood, the sweat of horror on his face.

He blunder’d down a path, trampling on thistles,
In sudden race to leave the ghostly trees.
And: ‘Soon I’ll be in open fields,’ he thought,
And half remembered starlight on the meadows,
Scent of mown grass and voices of tired men,
Fading along the field-paths; home and sleep
And cool-swept upland spaces, whispering leaves,
And far off the long churring night-jar’s note.

But something in the wood, trying to daunt him,
Led him confused in circles through the thicket.
He was forgetting his old wretched folly,
And freedom was his need; his throat was choking.
Barbed brambles gripped and clawed him round his legs,
And he floundered over snags and hidden stumps.
Mumbling: ‘I will get out! I must get out!’
Butting and thrusting up the baffling gloom,
Pausing to listen in a space ’twixt thorns,
He peers around with peering, frantic eyes.

An evil creature in the twilight looping,
Flapped blindly in his face. Beating it off,
He screeched in terror, and straightway something clambered
Heavily from an oak, and dropped, bent double,
To shamble at him zigzag, squat and bestial.

Headlong he charges down the wood, and falls
With roaring brain—agony—the snap’t spark--
And blots of green and purple in his eyes.
Then the slow fingers groping on his neck,
And at his heart the strangling clasp of death.

--Siegfried Sassoon, The Old Huntsman and Other Poems, 1918

Siegfried Sassoon, "To My Brother"

To My Brother

Give me your hand, my brother, search my face;
Look in these eyes lest I should think of shame;
For we have made an end of all things base.
We are returning by the road we came.

Your lot is with the ghosts of soldiers dead,
And I am in the field where men must fight.
But in the gloom I see your laurell’d head
And through your victory I shall win the light.

--Siegfried Sassoon, The Old Huntsman and Other Poems, 1918

Siegfried Sassoon, "Elegy"

Elegy

To Robert Ross

Your dextrous wit will haunt us long
Wounding our grief with yesterday.
Your laughter is a broken song;
And death has found you, kind and gay.

We may forget those transient things
That made your charm and our delight:
But loyal love has deathless wings
That rise and triumph out of night.

So, in the days to come, your name
Shall be as music that ascends
When honour turns a heart from shame...
O heart of hearts! ... O friend of friends!

--Siegfried Sassoon
Picture-Show, 1920

Siegfried Sassoon, "The Dug-Out"

The Dug-Out

Why do you lie with your legs ungainly huddled,
And one arm bent across your sullen, cold,
Exhausted face? It hurts my heart to watch you,
Deep-shadow’d from the candle’s guttering gold;
And you wonder why I shake you by the shoulder;
Drowsy, you mumble and sigh and turn your head...
You are too young to fall asleep for ever;
And when you sleep you remind me of the dead.

St. Venant, July 1918

--Siegfried Sassoon
Picture-Show, 1920

Siegfried Sassoon, "The Fathers"

The Fathers

Snug at the club two fathers sat,
Gross, goggle-eyed, and full of chat.
One of them said: ‘My eldest lad
Writes cheery letters from Bagdad.
But Arthur’s getting all the fun
At Arras with his nine-inch gun.’

‘Yes,’ wheezed the other, ‘that’s the luck!
My boy’s quite broken-hearted, stuck
In England training all this year.
Still, if there’s truth in what we hear,
The Huns intend to ask for more
Before they bolt across the Rhine.’
I watched them toddle through the door--
These impotent old friends of mine.

--Siegfried Sassoon, Counter-Attack and Other Poems, 1918

Laurence Binyon, "The Fallen"

For The Fallen

With proud thanksgiving, a mother for her children,
England mourns for her dead across the sea.
Flesh of her flesh they were, spirit of her spirit,
Fallen in the cause of the free.

Solemn the drums thrill; Death august and royal
Sings sorrow up into immortal spheres.
There is music in the midst of desolation
And a glory that shines upon our tears.

They went with songs to the battle, they were young,
Straight of limb, true of eye, steady and aglow.
They were staunch to the end against odds uncounted;
They fell with their faces to the foe.

They shall grow not old, as we that are left grow old,
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.

They mingle not with laughing comrades again;
They sit no more at familiar tables of home;
They have no lot in our labour of the day-time;
They sleep beyond England's foam.

But where our desires are and our hopes profound,
Felt as a well-spring that is hidden from sight,
To the innermost heart of their own land they are known
As the stars are known to the Night;

As the stars that shall be bright when we are dust,
Moving in marches upon the heavenly plain;
As the stars that are starry in the time of our darkness,
To the end, to the end, they remain.

--Laurence Binyon

Originally published in The Times, 21 September 1914

Siegfried Sassoon, "Wirers"

Wirers

‘Pass it along, the wiring party’s going out’--
And yawning sentries mumble, ‘Wirers going out.’
Unravelling; twisting; hammering stakes with muffled thud,
They toil with stealthy haste and anger in their blood.

The Boche sends up a flare. Black forms stand rigid there,
Stock-still like posts; then darkness, and the clumsy ghosts
Stride hither and thither, whispering, tripped by clutching snare
Of snags and tangles.
Ghastly dawn with vaporous coasts
Gleams desolate along the sky, night’s misery ended.

Young Hughes was badly hit; I heard him carried away,
Moaning at every lurch; no doubt he’ll die to-day.
But we can say the front-line wire’s been safely mended.

--Siegfried Sassoon, Counter-Attack and Other Poems, 1918

Siegfried Sassoon, "Break of Day"

Break of Day

There seemed a smell of autumn in the air
At the bleak end of night; he shivered there
In a dank, musty dug-out where he lay,
Legs wrapped in sand-bags,--lumps of chalk and clay
Spattering his face. Dry-mouthed, he thought, ‘To-day
We start the damned attack; and, Lord knows why,
Zero’s at nine; how bloody if I’m done in
Under the freedom of that morning sky!’
And then he coughed and dozed, cursing the din.

Was it the ghost of autumn in that smell
Of underground, or God’s blank heart grown kind,
That sent a happy dream to him in hell?--
Where men are crushed like clods, and crawl to find
Some crater for their wretchedness; who lie
In outcast immolation, doomed to die
Far from clean things or any hope of cheer,
Cowed anger in their eyes, till darkness brims
And roars into their heads, and they can hear
Old childish talk, and tags of foolish hymns.

He sniffs the chilly air; (his dreaming starts),
He’s riding in a dusty Sussex lane
In quiet September; slowly night departs;
And he’s a living soul, absolved from pain.
Beyond the brambled fences where he goes
Are glimmering fields with harvest piled in sheaves,
And tree-tops dark against the stars grown pale;
Then, clear and shrill, a distant farm-cock crows;
And there’s a wall of mist along the vale
Where willows shake their watery-sounding leaves,
He gazes on it all, and scarce believes
That earth is telling its old peaceful tale;
He thanks the blessed world that he was born...
Then, far away, a lonely note of the horn.

They’re drawing the Big Wood! Unlatch the gate,
And set Golumpus going on the grass;
He knows the corner where it’s best to wait
And hear the crashing woodland chorus pass;
The corner where old foxes make their track
To the Long Spinney; that’s the place to be.
The bracken shakes below an ivied tree,
And then a cub looks out; and ‘Tally-o-back!’
He bawls, and swings his thong with volleying crack,--
All the clean thrill of autumn in his blood,
And hunting surging through him like a flood
In joyous welcome from the untroubled past;
While the war drifts away, forgotten at last.

Now a red, sleepy sun above the rim
Of twilight stares along the quiet weald,
And the kind, simple country shines revealed
In solitudes of peace, no longer dim.
The old horse lifts his face and thanks the light,
Then stretches down his head to crop the green.
All things that he has loved are in his sight;
The places where his happiness has been
Are in his eyes, his heart, and they are good.

...
Hark! there’s the horn: they’re drawing the Big Wood.

--Siegfried Sassoon, Counter-Attack and Other Poems, 1918

"Only a Boche," Robert Service

Only a Boche

We brought him in from between the lines: we'd better have let him lie;
For what's the use of risking one's skin for a tyke that's going to die?
What's the use of tearing him loose under a gruelling fire,
When he's shot in the head, and worse than dead, and all messed up on the wire?

However, I say, we brought him in. Diable! The mud was bad;
The trench was crooked and greasy and high, and oh, what a time we had!
And often we slipped, and often we tripped, but never he made a moan;
And how we were wet with blood and with sweat! but we carried him in like our own.

Now there he lies in the dug-out dim, awaiting the ambulance,
And the doctor shrugs his shoulders at him, and remarks, "He hasn't a chance."
And we squat and smoke at our game of bridge on the glistening, straw-packed floor,
And above our oaths we can hear his breath deep-drawn in a kind of snore.

For the dressing station is long and low, and the candles gutter dim,
And the mean light falls on the cold clay walls and our faces bristly and grim;
And we flap our cards on the lousy straw, and we laugh and jibe as we play,
And you'd never know that the cursed foe was less than a mile away.
As we con our cards in the rancid gloom, oppressed by that snoring breath,
You'd never dream that our broad roof-beam was swept by the broom of death.

Heigh-ho! My turn for the dummy hand; I rise and I stretch a bit;
The fetid air is making me yawn, and my cigarette's unlit,
So I go to the nearest candle flame, and the man we brought is there,
And his face is white in the shabby light, and I stand at his feet and stare.
Stand for a while, and quietly stare: for strange though it seems to be,
The dying Boche on the stretcher there has a queer resemblance to me.

It gives one a kind of a turn, you know, to come on a thing like that.
It's just as if I were lying there, with a turban of blood for a hat,
Lying there in a coat grey-green instead of a coat grey-blue,
With one of my eyes all shot away, and my brain half tumbling through;
Lying there with a chest that heaves like a bellows up and down,
And a cheek as white as snow on a grave, and lips that are coffee brown.

And confound him, too! He wears, like me, on his finger a wedding ring,
And around his neck, as around my own, by a greasy bit of string,
A locket hangs with a woman's face, and I turn it about to see:
Just as I thought... on the other side the faces of children three;
Clustered together cherub-like, three little laughing girls,
With the usual tiny rosebud mouths and the usual silken curls.
"Zut!" I say. "He has beaten me; for me, I have only two,"
And I push the locket beneath his shirt, feeling a little blue.

Oh, it isn't cheerful to see a man, the marvellous work of God,
Crushed in the mutilation mill, crushed to a smeary clod;
Oh, it isn't cheerful to hear him moan; but it isn't that I mind,
It isn't the anguish that goes with him, it's the anguish he leaves behind.
For his going opens a tragic door that gives on a world of pain,
And the death he dies, those who live and love, will die again and again.

So here I am at my cards once more, but it's kind of spoiling my play,
Thinking of those three brats of his so many a mile away.
War is war, and he's only a Boche, and we all of us take our chance;
But all the same I'll be mighty glad when I'm hearing the ambulance.
One foe the less, but all the same I'm heartily glad I'm not
The man who gave him his broken head, the sniper who fired the shot.

No trumps you make it, I think you said? You'll pardon me if I err;
For a moment I thought of other things... Mon Dieu! Quelle vache de guerre!

--Robert Service

Via Tim Kendall at War Poetry.

Edmund Blunden, "Preparations For Victory"

Preparations For Victory

My soul, dread not the pestilence that hags
The valley; flinch not you, my body young.
At these great shouting smokes and snarling jags
Of fiery iron; as yet may not be flung
The dice that claims you. Manly move among
These ruins, and what you must do, do well;
Look, here are gardens, there mossed boughs are hung
With apples who bright cheeks none might excel,
And there's a house as yet unshattered by a shell.

"I'll do my best," the soul makes sad reply,
"And I will mark the yet unmurdered tree,
The tokens of dear homes that court the eye,
And yet I see them not as I would see.
Hovering between, a ghostly enemy.
Sickens the light, and poisoned, withered, wan,
The least defiled turns desperate to me."
The body, poor unpitied Caliban,
Parches and sweats and grunts to win the name of Man.

Days or eternities like swelling waves
Surge on, and still we drudge in this dark maze;
The bombs and coils and cans by strings of slaves
Are borne to serve the coming day of days;
Pale sleep in slimy cellars scarce allays
With its brief blank the burden. Look, we lose;
The sky is gone, the lightless, drenching haze
Of rainstorms chills the bone; earth, air are foes,
The black fiend leaps brick-red as life's last picture goes.

--Edmund Blunden

Wilfrid Wilson Gibson, "Between the Lines"

Between the Lines

When consciousness came back, he found he lay
Between the opposing fires, but could not tell
On which hand were his friends; and either way
For him to turn was chancy--bullet and shell
Whistling and shrieking over him, as the glare
Of searchlights scoured the darkness to blind day.
He scrambled to his hands and knees ascare,
Dragging his wounded foot through puddled clay,
And tumbled in a hole a shell had scooped
At random in a turnip-field between
The unseen trenches where the foes lay cooped
Through that unending battle of unseen,
Dead-locked, league-stretching armies; and quite spent
He rolled upon his back within the pit,
And lay secure, thinking of all it meant--
His lying in that little hole, sore hit,
But living, while across the starry sky
Shrapnel and shell went screeching overhead--
Of all it meant that he, Tom Dodd, should lie
Among the Belgian turnips, while his bed ...
If it were he, indeed, who'd climbed each night,
Fagged with the day's work, up the narrow stair,
And slipt his clothes off in the candle-light,
Too tired to fold them neatly in a chair
The way his mother'd taught him--too dog-tired
After the long day's serving in the shop,
Inquiring what each customer required,
Politely talking weather, fit to drop ...

And now for fourteen days and nights, at least,
He hadn't had his clothes off, and had lain
In muddy trenches, napping like a beast
With one eye open, under sun and rain
And that unceasing hell-fire ...

It was strange
How things turned out--the chances! You'd just got
To take your luck in life, you couldn't change
Your luck.

And so here he was lying shot
Who just six months ago had thought to spend
His days behind a counter. Still, perhaps ...
And now, God only knew how he would end!

He'd like to know how many of the chaps
Had won back to the trench alive, when he
Had fallen wounded and been left for dead,
If any!...

This was different, certainly,
From selling knots of tape and reels of thread
And knots of tape and reels of thread and knots
Of tape and reels of thread and knots of tape,
Day in, day out, and answering "Have you got's"
And "Do you keep's" till there seemed no escape
From everlasting serving in a shop,
Inquiring what each customer required,
Politely talking weather, fit to drop,
With swollen ankles, tired ...

But he was tired
Now. Every bone was aching, and had ached
For fourteen days and nights in that wet trench--
Just duller when he slept than when he waked--
Crouching for shelter from the steady drench
Of shell and shrapnel ...

That old trench, it seemed
Almost like home to him. He'd slept and fed
And sung and smoked in it, while shrapnel screamed
And shells went whining harmless overhead--
Harmless, at least, as far as he ...

But Dick--
Dick hadn't found them harmless yesterday,
At breakfast, when he'd said he couldn't stick
Eating dry bread, and crawled out the back way,
And brought them butter in a lordly dish--
Butter enough for all, and held it high,
Yellow and fresh and clean as you would wish--
When plump upon the plate from out the sky
A shell fell bursting ... Where the butter went,
God only knew!...

And Dick ... He dared not think
Of what had come to Dick ... or what it meant--
The shrieking and the whistling and the stink
He'd lived in fourteen days and nights. 'T was luck
That he still lived ... And queer how little then
He seemed to care that Dick ... perhaps 't was pluck
That hardened him--a man among the men--
Perhaps ... Yet, only think things out a bit,
And he was rabbit-livered, blue with funk!
And he'd liked Dick ... and yet when Dick was hit,
He hadn't turned a hair. The meanest skunk
He should have thought would feel it when his mate
Was blown to smithereens--Dick, proud as punch,
Grinning like sin, and holding up the plate--
But he had gone on munching his dry hunch,
Unwinking, till he swallowed the last crumb.
Perhaps 't was just because he dared not let
His mind run upon Dick, who'd been his chum.
He dared not now, though he could not forget.

Dick took his luck. And, life or death, 't was luck
From first to last; and you'd just got to trust
Your luck and grin. It wasn't so much pluck
As knowing that you'd got to, when needs must,
And better to die grinning ...

Quiet now
Had fallen on the night. On either hand
The guns were quiet. Cool upon his brow
The quiet darkness brooded, as he scanned
The starry sky. He'd never seen before
So many stars. Although, of course, he'd known
That there were stars, somehow before the war
He'd never realised them--so thick-sown,
Millions and millions. Serving in the shop,
Stars didn't count for much; and then at nights
Strolling the pavements, dull and fit to drop,
You didn't see much but the city lights.
He'd never in his life seen so much sky
As he'd seen this last fortnight. It was queer
The things war taught you. He'd a mind to try
To count the stars--they shone so bright and clear.

One, two, three, four ... Ah, God, but he was tired ...
Five, six, seven, eight ...

Yes, it was number eight.
And what was the next thing that she required?
(Too bad of customers to come so late,
At closing time!) Again within the shop
He handled knots of tape and reels of thread,
Politely talking weather, fit to drop ...

When once again the whole sky overhead
Flared blind with searchlights, and the shriek of shell
And scream of shrapnel roused him. Drowsily
He stared about him, wondering. Then he fell
Into deep dreamless slumber.

He could see
Two dark eyes peeping at him, ere he knew
He was awake, and it again was day--
An August morning, burning to clear blue.
The frightened rabbit scuttled ...

Far away,
A sound of firing ... Up there, in the sky
Big dragon-flies hung hovering ... Snowballs burst
About them ... Flies and snowballs. With a cry
He crouched to watch the airmen pass--the first
That he'd seen under fire. Lord, that was pluck--
Shells bursting all about them--and what nerve!
They took their chance, and trusted to their luck.
At such a dizzy height to dip and swerve,
Dodging the shell-fire ...
Hell! but one was hit,
And tumbling like a pigeon, plump ...

Thank Heaven,
It righted, and then turned; and after it
The whole flock followed safe--four, five, six, seven,
Yes, they were all there safe. He hoped they'd win
Back to their lines in safety. They deserved,
Even if they were Germans ... 'T was no sin
To wish them luck. Think how that beggar swerved
Just in the nick of time!

He, too, must try
To win back to the lines, though, likely as not,
He'd take the wrong turn: but he couldn't lie
Forever in that hungry hole and rot,
He'd got to take his luck, to take his chance
Of being sniped by foes or friends. He'd be
With any luck in Germany or France
Or Kingdom-come, next morning ...

Drearily
The blazing day burnt over him, shot and shell
Whistling and whining ceaselessly. But light
Faded at last, and as the darkness fell
He rose, and crawled away into the night.

--Wilfrid Wilson Gibson

Edward Thomas, "Lights Out"

Lights Out

I have come to the borders of sleep,
The unfathomable deep
Forest where all must lose
Their way, however straight,
Or winding, soon or late;
They cannot choose.

Many a road and track
That, since the dawn's first crack,
Up to the forest brink,
Deceived the travellers,
Suddenly now blurs,
And in they sink.

Here love ends,
Despair, ambition ends,
All pleasure and all trouble,
Although most sweet or bitter,
Here ends in sleep that is sweeter
Than tasks most noble.

There is not any book
Or face of dearest look
That I would not turn from now
To go into the unknown
I must enter and leave alone
I know not how.

The tall forest towers;
Its cloudy foliage lowers
Ahead, shelf above shelf;
Its silence I hear and obey
That I may lose my way
And myself.

--Edward Thomas

Edward Thomas, "As the Team's Head-Brass"

As the Team's Head-Brass

As the team's head-brass flashed out on the turn
The lovers disappeared into the wood.
I sat among the boughs of the fallen elm
That strewed the angle of the fallow, and
Watched the plough narrowing a yellow square
Of charlock. Every time the horses turned
Instead of treading me down, the ploughman leaned
Upon the handles to say or ask a word,
About the weather, next about the war.
Scraping the share he faced towards the wood,
And screwed along the furrow till the brass flashed
Once more.

The blizzard felled the elm whose crest
I sat in, by a woodpecker's round hole,
The ploughman said. 'When will they take it away?'
'When the war's over.' So the talk began –
One minute and an interval of ten,
A minute more and the same interval.
'Have you been out?' 'No.' 'And don't want to, perhaps?'
'If I could only come back again, I should.
I could spare an arm, I shouldn't want to lose
A leg. If I should lose my head, why, so,
I should want nothing more...Have many gone
From here?' 'Yes.' 'Many lost?' 'Yes, a good few.
Only two teams work on the farm this year.
One of my mates is dead. The second day
In France they killed him. It was back in March,
The very night of the blizzard, too. Now if
He had stayed here we should have moved the tree.'
'And I should not have sat here. Everything
Would have been different. For it would have been
Another world.' 'Ay, and a better, though
If we could see all all might seem good.' Then
The lovers came out of the wood again:
The horses started and for the last time
I watched the clods crumble and topple over
After the ploughshare and the stumbling team.

--Edward Thomas

Gilbert Frankau, "Eyes in the Air"

Eyes in the Air

Our guns are a league behind us, our target a mile below,
And there's never a cloud to blind us from the haunts of our lurking foe--
Sunk pit whence his shrapnel tore us, support-trench crest concealed,
As clear as the charts before us, his ramparts lie revealed.
His panicked watchers spy us, a droning threat in the void;
Their whistling shells outfly us--puff upon puff, deployed
Across the green beneath us, across the flanking grey,
In fume and fire to sheath us and baulk us of our prey.

Before, beyond, above her,
Their iron web is spun:
Flicked but unsnared we hover,
Edged planes against the sun:
Eyes in the air above his lair,
The hawks that guide the gun!

No word from earth may reach us, save, white against the ground,
The strips outspread to teach us whose ears are deaf to sound:
But down the winds that sear us, athwart our engine's shriek,
We send - and know they hear us, the ranging guns we speak.
Our visored eyeballs show us their answering pennant, broke
Eight thousand feet below us, a whorl of flame-stabbed smoke--
The burst that hangs to guide us, while numbed gloved fingers tap
From wireless key beside us the circles of the map.
Line--target--short or over--
Come, plain as clock hands run,
Words from the birds that hover,
Unblinded, tail to sun;
Words out of air to range them fair,
From hawks that guide the gun!

Your flying shells have failed you, your landward guns are dumb:
Since earth hath naught availed you, these skies be open! Come,
Where, wild to meet and mate you, flame in their beaks for breath,
Black doves! the white hawks wait you on the wind-tossed boughs of death.
These boughs be cold without you, our hearts are hot for this,
Our wings shall beat about you, our scorching breath shall kiss;
Till, fraught with that we gave you, fulfilled of our desire,
You bank--too late to save you from biting beaks of fire--
Turn sideways from your lover,
Shudder and swerve and run,
Tilt; stagger; and plunge over
Ablaze against the sun:
Doves dead in air, who clomb to dare
The hawks that guide the gun!

--Gilbert Frankau

Wilfrid Wilson Gibson, "Retreat"

Retreat

Broken, bewildered by the long retreat
Across the stifling leagues of southern plain,
Across the scorching leagues of trampled grain,
Half-stunned, half-blinded, by the trudge of feet
And dusty smother of the August
He dreamt of flowers in an English lane,
Of hedgerow flowers glistening after rain--
All-heal and willow-herb and meadow-sweet.

All-heal and willow-herb and meadow-sweet--
The innocent names kept up a cool refrain--
All-heal and willow-herb and meadow-sweet,
Chiming and tinkling in his aching brain,
Until he babbled like a child again—
"All-heal and willow-herb and meadow-sweet."

--Wilfrid Wilson Gibson

Edmund Blunden, "The Zonnebeke Road"

The Zonnebeke Road

Morning, if this late withered light can claim
Some kindred with that merry flame
Which the young day was wont to fling through space!
Agony stares from each grey face.
And yet the day is come; stand down! stand down!
Your hands unclasp from rifles while you can;
The frost has pierced them to the bended bone?
Why see old Stevens there, that iron man,
Melting the ice to shave his grotesque chin!
Go ask him,, shall we win?
I never likes this bay, some foolish fear
Caught me the first time that I came here;
That dugout fallen in awakes, perhaps
Some formless haunting of some corpse's chaps.
True, and wherever we have held the line,
There were such corners, seeming-saturnine
For no good cause.

Now where the Haymarket starts,
There is no place for soldiers with weak hearts;
The minenwerfers have it to the inch.
Look, how the snow-dust whisks along the road
Piteous and silly; the stones themselves must flinch
In this east wind; the low sky like a load
Hangs over, a dead-weight. But what a pain
Must gnaw where its clay cheek
Crushes the shell-chopped trees that fang the plain –
The ice-bound throat gulps out a gargoyle shriek.
That wretched wire before the village line
Rattles like rusty brambles on dead bine,
And there the daylight oozes into dun;
Black pillars, those are trees where roadways run
Even Ypres now would warm our souls; fond fool,
Our tour's but one night old, seven more to cool!
O screaming dumbness, o dull clashing death,
Shreds of dead grass and willows, homes and men,
Watch as you will, men clench their chattering teeth
And freeze you back with that one hope, disdain.

--Edmund Blunden

Wilfred Wilson Gibson, "Breakfast"

Breakfast

We ate our breakfast lying on our backs,
Because the shells were screeching overhead.
I bet a rasher to a loaf of bread
That Hull United would beat Halifax
When Jimmy Strainthorpe played full-back instead
Of Billy Bradford. Ginger raised his head
And cursed, and took the bet; and dropt back dead.
We ate our breakfast lying on our backs,
Because the shells were screeching overhead.

--Wilfred Wilson Gibson

Edward Thomas, "A Private"

A Private

This ploughman dead in battle slept out of doors
Many's a frozen night, and merrily
Answered staid drinkers, good bedmen, and all bores:
'At Mrs Greenland's Hawthorn Bush,' said he,
'I slept.' None knew which bush. Above the town,
Beyond 'The Drover', a hundred spot the down
In Wiltshire. And where now at last he sleeps
More sound in France--that, too, he secret keeps.

--Edward Thomas

Wilfrid Wilson Gibson, "The Joke"

The Joke

He'd even have his joke
While we were sitting tight,
And so he needs must poke
His silly head in sight
To whisper some new jest
Chortling. But as he spoke
A rifle cracked--
And now God knows when I shall hear the rest!

--Wilfrid Wilson Gibson

Edward Thomas, "Gone, Gone Again"

Gone, Gone Again

Gone, gone again,
May, June, July,
And August gone,
Again gone by,

Not memorable
Save that I saw them go,
As past the empty quays
The rivers flow.

And now again,
In the harvest rain,
The Blenheim oranges
Fall grubby from the trees

As when I was young
And when the lost one was here
And when the war began
To turn young men to dung.

Look at the old house,
Outmoded, dignified,
Dark and untenanted,
With grass growing instead

Of the footsteps of life,
The friendliness, the strife;
In its beds have lain
Youth. love, age, and pain:

I am something like that;
Only I am not dead,
Still breathing and interested
In the house that is not dark:--

I am something like that:
Not one pane to reflect the sun,
For the schoolboys to throw at--
They have broken every one.

--Edward Thomas