Siegfried Sassoon, "Haunted"

Haunted

Evening was in the wood, louring with storm.
A time of drought had sucked the weedy pool
And baked the channels; birds had done with song.
Thirst was a dream of fountains in the moon,
Or willow-music blown across the water
Leisurely sliding on by weir and mill.

Uneasy was the man who wandered, brooding,
His face a little whiter than the dusk.
A drone of sultry wings flicker’d in his head.
The end of sunset burning thro’ the boughs
Died in a smear of red; exhausted hours
Cumber’d, and ugly sorrows hemmed him in.

He thought: ‘Somewhere there’s thunder,’ as he strove
To shake off dread; he dared not look behind him,
But stood, the sweat of horror on his face.

He blunder’d down a path, trampling on thistles,
In sudden race to leave the ghostly trees.
And: ‘Soon I’ll be in open fields,’ he thought,
And half remembered starlight on the meadows,
Scent of mown grass and voices of tired men,
Fading along the field-paths; home and sleep
And cool-swept upland spaces, whispering leaves,
And far off the long churring night-jar’s note.

But something in the wood, trying to daunt him,
Led him confused in circles through the thicket.
He was forgetting his old wretched folly,
And freedom was his need; his throat was choking.
Barbed brambles gripped and clawed him round his legs,
And he floundered over snags and hidden stumps.
Mumbling: ‘I will get out! I must get out!’
Butting and thrusting up the baffling gloom,
Pausing to listen in a space ’twixt thorns,
He peers around with peering, frantic eyes.

An evil creature in the twilight looping,
Flapped blindly in his face. Beating it off,
He screeched in terror, and straightway something clambered
Heavily from an oak, and dropped, bent double,
To shamble at him zigzag, squat and bestial.

Headlong he charges down the wood, and falls
With roaring brain—agony—the snap’t spark--
And blots of green and purple in his eyes.
Then the slow fingers groping on his neck,
And at his heart the strangling clasp of death.

--Siegfried Sassoon, The Old Huntsman and Other Poems, 1918

Siegfried Sassoon, "To My Brother"

To My Brother

Give me your hand, my brother, search my face;
Look in these eyes lest I should think of shame;
For we have made an end of all things base.
We are returning by the road we came.

Your lot is with the ghosts of soldiers dead,
And I am in the field where men must fight.
But in the gloom I see your laurell’d head
And through your victory I shall win the light.

--Siegfried Sassoon, The Old Huntsman and Other Poems, 1918

Siegfried Sassoon, "Elegy"

Elegy

To Robert Ross

Your dextrous wit will haunt us long
Wounding our grief with yesterday.
Your laughter is a broken song;
And death has found you, kind and gay.

We may forget those transient things
That made your charm and our delight:
But loyal love has deathless wings
That rise and triumph out of night.

So, in the days to come, your name
Shall be as music that ascends
When honour turns a heart from shame...
O heart of hearts! ... O friend of friends!

--Siegfried Sassoon
Picture-Show, 1920

Siegfried Sassoon, "The Dug-Out"

The Dug-Out

Why do you lie with your legs ungainly huddled,
And one arm bent across your sullen, cold,
Exhausted face? It hurts my heart to watch you,
Deep-shadow’d from the candle’s guttering gold;
And you wonder why I shake you by the shoulder;
Drowsy, you mumble and sigh and turn your head...
You are too young to fall asleep for ever;
And when you sleep you remind me of the dead.

St. Venant, July 1918

--Siegfried Sassoon
Picture-Show, 1920

Siegfried Sassoon, "Thrushes"

Thrushes

Tossed on the glittering air they soar and skim,
Whose voices make the emptiness of light
A windy palace. Quavering from the brim
Of dawn, and bold with song at edge of night,
They clutch their leafy pinnacles and sing
Scornful of man, and from his toils aloof
Whose heart's a haunted woodland whispering;
Whose thoughts return on tempest-baffled wing;
Who hears the cry of God in everything,
And storms the gate of nothingness for proof.

--Siegfried Sassoon, Counter-Attack and Other Poems, 1918

Siegfried Sassoon, "The Fathers"

The Fathers

Snug at the club two fathers sat,
Gross, goggle-eyed, and full of chat.
One of them said: ‘My eldest lad
Writes cheery letters from Bagdad.
But Arthur’s getting all the fun
At Arras with his nine-inch gun.’

‘Yes,’ wheezed the other, ‘that’s the luck!
My boy’s quite broken-hearted, stuck
In England training all this year.
Still, if there’s truth in what we hear,
The Huns intend to ask for more
Before they bolt across the Rhine.’
I watched them toddle through the door--
These impotent old friends of mine.

--Siegfried Sassoon, Counter-Attack and Other Poems, 1918

Siegfried Sassoon, "Wirers"

Wirers

‘Pass it along, the wiring party’s going out’--
And yawning sentries mumble, ‘Wirers going out.’
Unravelling; twisting; hammering stakes with muffled thud,
They toil with stealthy haste and anger in their blood.

The Boche sends up a flare. Black forms stand rigid there,
Stock-still like posts; then darkness, and the clumsy ghosts
Stride hither and thither, whispering, tripped by clutching snare
Of snags and tangles.
Ghastly dawn with vaporous coasts
Gleams desolate along the sky, night’s misery ended.

Young Hughes was badly hit; I heard him carried away,
Moaning at every lurch; no doubt he’ll die to-day.
But we can say the front-line wire’s been safely mended.

--Siegfried Sassoon, Counter-Attack and Other Poems, 1918

Siegfried Sassoon, "Break of Day"

Break of Day

There seemed a smell of autumn in the air
At the bleak end of night; he shivered there
In a dank, musty dug-out where he lay,
Legs wrapped in sand-bags,--lumps of chalk and clay
Spattering his face. Dry-mouthed, he thought, ‘To-day
We start the damned attack; and, Lord knows why,
Zero’s at nine; how bloody if I’m done in
Under the freedom of that morning sky!’
And then he coughed and dozed, cursing the din.

Was it the ghost of autumn in that smell
Of underground, or God’s blank heart grown kind,
That sent a happy dream to him in hell?--
Where men are crushed like clods, and crawl to find
Some crater for their wretchedness; who lie
In outcast immolation, doomed to die
Far from clean things or any hope of cheer,
Cowed anger in their eyes, till darkness brims
And roars into their heads, and they can hear
Old childish talk, and tags of foolish hymns.

He sniffs the chilly air; (his dreaming starts),
He’s riding in a dusty Sussex lane
In quiet September; slowly night departs;
And he’s a living soul, absolved from pain.
Beyond the brambled fences where he goes
Are glimmering fields with harvest piled in sheaves,
And tree-tops dark against the stars grown pale;
Then, clear and shrill, a distant farm-cock crows;
And there’s a wall of mist along the vale
Where willows shake their watery-sounding leaves,
He gazes on it all, and scarce believes
That earth is telling its old peaceful tale;
He thanks the blessed world that he was born...
Then, far away, a lonely note of the horn.

They’re drawing the Big Wood! Unlatch the gate,
And set Golumpus going on the grass;
He knows the corner where it’s best to wait
And hear the crashing woodland chorus pass;
The corner where old foxes make their track
To the Long Spinney; that’s the place to be.
The bracken shakes below an ivied tree,
And then a cub looks out; and ‘Tally-o-back!’
He bawls, and swings his thong with volleying crack,--
All the clean thrill of autumn in his blood,
And hunting surging through him like a flood
In joyous welcome from the untroubled past;
While the war drifts away, forgotten at last.

Now a red, sleepy sun above the rim
Of twilight stares along the quiet weald,
And the kind, simple country shines revealed
In solitudes of peace, no longer dim.
The old horse lifts his face and thanks the light,
Then stretches down his head to crop the green.
All things that he has loved are in his sight;
The places where his happiness has been
Are in his eyes, his heart, and they are good.

...
Hark! there’s the horn: they’re drawing the Big Wood.

--Siegfried Sassoon, Counter-Attack and Other Poems, 1918

"Vision," Siegfried Sassoon

Vision

I love all things that pass: their briefness is
Music that fades on transient silences.
Winds, birds, and glittering leaves that flare and fall—
They fling delight across the world; they call
To rhythmic-flashing limbs that rove and race...
A moment in the dawn for Youth’s lit face;
A moment’s passion, closing on the cry--
‘O Beauty, born of lovely things that die!’

--Siegfried Sassoon

Siegfried Sassoon, "Lamentations"

Lamentations

I found him in the guard-room at the Base.
From the blind darkness I had heard his crying
And blundered in. With puzzled, patient face
A sergeant watched him; it was no good trying
To stop it; for he howled and beat his chest.
And, all because his brother had gone west,
Raved at the bleeding war; his rampant grief
Moaned, shouted, sobbed, and choked, while he was kneeling
Half-naked on the floor. In my belief
Such men have lost all patriotic feeling.

--Siegfried Sassoon, Counter-Attack and Other Poems, 1918

Siegfried Sassoon, "Editorial Impressions"

Editorial Impressions

He seemed so certain 'all was going well',
As he discussed the glorious time he’d had
While visiting the trenches.

'One can tell
You've gathered big impressions!' grinned the lad
Who'd been severely wounded in the back
In some wiped-out impossible Attack.
'Impressions? Yes, most vivid! I am writing
A little book called Europe on the Rack,
Based on notes made while witnessing the fighting.
I hope I've caught the feeling of "the Line,"
And the amazing spirit of the troops.
By Jove, those flying-chaps of ours are fine!
I watched one daring beggar looping loops,
Soaring and diving like some bird of prey.
And through it all I felt that splendour shine
Which makes us win.'

The soldier sipped his wine.
'Ah, yes, but it's the Press that leads the way!'

--Siegfried Sassoon, Counter-Attack and Other Poems, 1918

Siegfried Sassoon, "Reconciliation"

Reconciliation

When you are standing at your hero's grave,
Or near some homeless village where he died,
Remember, through your heart's rekindling pride,
The German soldiers who were loyal and brave.

Men fought like brutes; and hideous things were done;
And you have nourished hatred, harsh and blind.
But in that Golgotha perhaps you'll find
The mothers of the men who killed your son.

--Siegfried Sassoon, November 1918

Siegfried Sassoon, "The Hawthorn Tree"

The Hawthorn Tree

Not much to me is yonder lane
Where I go every day;
But when there's been a shower of rain
And hedge-birds whistle gay,
I know my lad that's out in France
With fearsome things to see
Would give his eyes for just one glance
At our white hawthorn tree.

. . . .

Not much to me is yonder lane
Where he so longs to tread:
But when there’s been a shower of rain
I think I'll never weep again
Until I've heard he's dead.

--Siegfried Sassoon

Siegfried Sassoon, "Joy-Bells"

Joy-Bells

Ring your sweet bells; but let them be farewells
To the green-vista'd gladness of the past
That changed us into soldiers; swing your bells
To a joyful chime; but let it be the last.

What means this metal in windy belfries hung
When guns are all our need? Dissolve these bells
Whose tones are tuned for peace: with martial tongue
Let them cry doom and storm the sun with shells.

Bells are like fierce-browed prelates who proclaim
That 'if our Lord returned He'd fight for us.'
So let our bells and bishops do the same,
Shoulder to shoulder with the motor-bus.

--Siegfried Sassoon, Counter-Attack and Other Poems, 1918

Siegfried Sassoon, "At Carnoy"

At Carnoy

Down in the hollow there's the whole Brigade
Camped in four groups: through twilight falling slow
I hear a sound of mouth-organs, ill-played,
And murmur of voices, gruff, confused, and low.
Crouched among thistle-tufts I've watched the glow
Of a blurred orange sunset flare and fade;
And I'm content. To-morrow we must go
To take some cursèd Wood ... O world God made!

July 3rd, 1916

--Siegfried Sassoon, The Old Huntsman and Other Poems, 1918

Siegfried Sassoon, "Arms and the Man"

Arms and the Man

Young Croesus went to pay his call
On Colonel Sawbones, Caxton Hall:
And, though his wound was healed and mended,
He hoped he'd get his leave extended.

The waiting-room was dark and bare.
He eyed a neat-framed notice there
Above the fireplace hung to show
Disabled heroes where to go
For arms and legs; with scale of price,
And words of dignified advice
How officers could get them free.

Elbow or shoulder, hip or knee,
Two arms, two legs, though all were lost,
They'd be restored him free of cost.
Then a Girl Guide looked to say,
'Will Captain Croesus come this way?'

--Siegfried Sassoon, The Old Huntsman and Other Poems, 1918

Siegfried Sassoon, "In the Pink"

In the Pink

So Davies wrote: 'This leaves me in the pink.
Then scrawled his name: 'Your loving sweetheart, Willie'.
With crosses for a hug. He'd had a drink
Of rum and tea; and, though the barn was chilly,
For once his blood ran warm; he had pay to spend.
Winter was passing; soon the year would mend.

But he couldn't sleep that night; stiff in the dark
He groaned and thought of Sundays at the farm,
And how he'd go as cheerful as a lark
In his best suit, to wander arm in arm
With brown-eyed Gwen, and whisper in her ear
The simple, silly things she liked to hear.

And then he thought: to-morrow night we trudge
Up to the trenches, and my boots are rotten.
Five miles of stodgy clay and freezing sludge,
And everything but wretchedness forgotten.
To-night he's in the pink; but soon he'll die.
And still the war goes on--he don't know why.

--Siegfried Sassoon, The Old Huntsman and Other Poems, 1918

Siegfried Sassoon, "Secret Music"

Secret Music

I keep such music in my brain
No din this side of death can quell;
Glory exulting over pain,
And beauty, garlanded in hell.

My dreaming spirit will not heed
The roar of guns that would destroy
My life that on the gloom can read
Proud-surging melodies of joy.

To the world's end I went, and found
Death in his carnival of glare;
But in my torment I was crowned,
And music dawned above despair.

--Siegfried Sassoon, The Old Huntsman and other poems, 1918

Siegfried Sassoon, "To Any Dead Officer"

To Any Dead Officer

Well, how are things in Heaven? I wish you'd say,
Because I'd like to know that you're all right.
Tell me, have you found everlasting day,
Or been sucked in by everlasting night?
For when I shut my eyes your face shows plain;
I hear you make some cheery old remark--
I can rebuild you in my brain,
Though you've gone out patrolling in the dark.

You hated tours of trenches; you were proud
Of nothing more than having good years to spend;
Longed to get home and join the careless crowd
Of chaps who work in peace with Time for friend.
That's all washed out now. You're beyond the wire:
No earthly chance can send you crawling back;
You've finished with machine-gun fire--
Knocked over in a hopeless dud-attack.

Somehow I always thought you'd get done in,
Because you were so desperate keen to live:
You were all out to try and save your skin,
Well knowing how much the world had got to give.
You joked at shells and talked the usual 'shop,'
Stuck to your dirty job and did it fine:
With 'Jesus Christ! when will it stop?
Three years ... It's hell unless we break their line.'

So when they told me you'd been left for dead
I wouldn't believe them, feeling it must be true.
Next week the bloody Roll of Honour said
'Wounded and missing'--(That's the thing to do
When lads are left in shell-holes dying slow,
With nothing but blank sky and wounds that ache,
Moaning for water till they know
It's night, and then it's not worth while to wake!)
. . . .
Good-bye, old lad! Remember me to God,
And tell Him that our Politicians swear
They won't give in till Prussian Rule's been trod
Under the Heel of England ... Are you there?...
Yes ... and the War won't end for at least two years;
But we've got stacks of men ... I'm blind with tears,
Staring into the dark. Cheero!
I wish they'd killed you in a decent show.

--Siegfried Sassoon, Counter-Attack and Other Poems, 1918

Siegfried Sassoon, "Repression of War Experience"

Repression of War Experience

Now light the candles; one; two; there's a moth;
What silly beggars they are to blunder in
And scorch their wings with glory, liquid flame--
No, no, not that,--it's bad to think of war,
When thoughts you've gagged all day come back to scare you;
And it's been proved that soldiers don't go mad
Unless they lose control of ugly thoughts
That drive them out to jabber among the trees.

Now light your pipe; look, what a steady hand.
Draw a deep breath; stop thinking; count fifteen,
And you're as right as rain...
Why won't it rain?...
I wish there'd be a thunder-storm to-night,
With bucketsful of water to sluice the dark,
And make the roses hang their dripping heads.
Books; what a jolly company they are,
Standing so quiet and patient on their shelves,
Dressed in dim brown, and black, and white, and green,
And every kind of colour. Which will you read?
Come on; O do read something; they're so wise.
I tell you all the wisdom of the world
Is waiting for you on those shelves; and yet
You sit and gnaw your nails, and let your pipe out,
And listen to the silence: on the ceiling
There's one big, dizzy moth that bumps and flutters;
And in the breathless air outside the house
The garden waits for something that delays.
There must be crowds of ghosts among the trees,--
Not people killed in battle,--they're in France,--
But horrible shapes in shrouds--old men who died
Slow, natural deaths,--old men with ugly souls,
Who wore their bodies out with nasty sins.

. . . .

You're quiet and peaceful, summering safe at home;
You'd never think there was a bloody war on!...
O yes, you would ... why, you can hear the guns.
Hark! Thud, thud, thud,--quite soft ... they never cease--
Those whispering guns--O Christ, I want to go out
And screech at them to stop--I'm going crazy;
I'm going stark, staring mad because of the guns.

--Siegfried Sassoon